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Fred Herzog: Modern Color

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In this respect, his photographs can be seen as a pre-figuration of the New Color photographers of the seventies. Despite slight shifts in social, cultural and technological parameters, the world now looks much the same as it did in the ’60s and ’70s. This monograph brings together more than 230 recordings, many of which have never been reproduced before, and also includes contributions from celebrated authors such as David Campany and Hans-Michael Koetzle.

Fred Herzog is known for his unusual use of colour in the fifties and sixties, a time when art photography was almost exclusively associated with black and white imagery. Herzog’s big breakout occurred late in life when The Vancouver Art Gallery held the first major retrospective of his work in 2007: Fred Herzog Vancouver Photographs curated by Grant Arnold. For over fifty years, the Canadian photographer exclusively used Kodachrome slide film, and only in the last decade have advances in technology enabled the production of archival pigment prints that faithfully match the remarkable color and vibrancy of the Kodachrome slides.In his work, we’re shown a world we recognise, anachronistic as some of it may be, yet we relate to it. Scenes of society in the macrocosm, rather than showing us nothing, showed us everything: race relations, urban alienation, gender politics and class distinctions. Herzog’s work has much in common with William Eggleston, who eschewed big scenes in favour of the quotidian. By using the Web site, you confirm that you have read, understood, and agreed to be bound by the Terms and Conditions.

What was striking to Herzog at this time was that he was beginning to identify a genre that had perhaps not yet found its definition: street photography. This book brings together over 230 images, many never before reproduced, and features essays by acclaimed authors David Campany, Hans-Michael Koetzle and artist Jeff Wall. Furthermore, his shots were taken using mostly Kodachrome slide film, meaning he was limited in terms of actually getting to exhibit his images in public. A while later, Herzog worked as a medical photographer and also became a serious documentary photographer. However, technology only allowed him to make archival pigment prints that match the color and intensity of the Kodachrome slide in the past decade.The Canadian photographer worked largely with Kodachrome slide film for over 50 years, and only in the past decade has technology allowed him to make archival pigment prints that match the exceptional color and intensity of the Kodachrome slide, making this an excellent time to reevaluate and reexamine his work. Fred Herzog is best known for his unusual use of color photography in the 1950s and 1960s, a time when art photography was almost exclusively associated with black-and-white imagery. Fred Herzog, as we said, is known for his unusual use of color in the fifties and sixties, a time when art photography was almost exclusively associated with black and white imagery. In this regard, his photography can be seen as a precursor to the New Color photographers of the 1970s. Fred Herzog is the most comprehensive publication on the work of this important photographer to date.

Two of Herzog’s big influences were Walker Evans, who documented the effects of the Great Depression in the U.In this respect, his photographs can be seen as an early indication of the "New Color" photographers of the seventies.

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